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Gustav Metzger: Interviews with Hans Ulrich Obrist

Sale price$50.00

A visionary artist and radical thinker, Gustav Metzger asked provocative questions about the role of the artist and of conventional forms of artmaking and display. In this richly illustrated book, Metzger tells the story of his life and work in a series of interviews with the curator Hans Ulrich Obrist. He recounts his Orthodox Jewish childhood in 1930s Nuremberg and his arrival in England as part of the Kindertransport before shedding light on his development as an artist, including his early contributions to computer art, his leading role in the Destruction in Art Symposium of 1966, and his call for an ‘art strike’ from 1977–80. An artist for our times, Metzger’s uncompromising commitment to combating environmental destruction was fundamental to his understanding of art as a vehicle for change. This publication speaks emphatically to the undimmed urgency of Metzger’s artistic position, offering an insight into his interests in ecology and nature and, in the later part of his life, the threat of extinction and the motto he adapted from W. H. Auden: ‘We must become idealists or die.’

Gustav Metzger: Interviews with Hans Ulrich Obrist
Gustav Metzger: Interviews with Hans Ulrich Obrist Sale price$50.00

Language

English

Publisher

Hauser & Wirth Publishers

Composition

Hardcover

Contributors

Gustav Metzger and Hans Ulrich Obrist. Edited by Karen Marta.

Pages

288 pages

Size

17 x 23.6 cm

ISBN

9783906915920

Publication Date

Sep-24

‘Good art has to have many layers of meaning, so that every century can use it as needed at the time. Gustav Metzger’s art has many layers, but the most important is his ability to predict the future of mankind. This is why he is so relevant and important today.’

Marina Abramović

‘Gustav Metzger was an incredible artist. His energy changed the world.’

Yoko Ono

And Then Came the Environment

‘Gustav Metzger. And Then Came the Environment’ is the artist’s first solo exhibition in Los Angeles and his second major show in the US. The title comes from Metzger’s 1992 essay ‘Nature Demised’ where he proclaims an ‘urgent need to redefine notions of nature and the environment,’ because ‘environment’ is a term that ‘has been hijacked by the forces that are manipulating the world’ and it should be renamed ‘Damaged Nature.’ 

‘Gustav Metzger. And Then Came the Environment’ will be presented in conjunction with the Getty Museum's citywide PST Art initiative, 'Art & Science Collide.'

Gustav Metzger

Gustav Metzger was a visionary artist and radical thinker. At the heart of his practice, which spanned over 65 years, are a series of constantly opposing yet interdependent forces such as destruction and creation. Metzger’s involvement in anti-nuclear movements such as the Committee of 100 and his life-long activism to combat environmental destruction was fundamental to his provocative questioning of the role of artist and of conventional forms of artmaking and display. His auto-destructive art, meant as a public art form that would instigate social change, sought to provide a mirror of a social and political system that he felt was indifferently progressing towards total obliteration. He also sought to place the emphasis on action over creation of the art object, inviting viewers to interact with some of his work to heighten their impact.

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