Annie Leibovitz: Archive Project No. 1
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The artist’s book ‘Annie Leibovitz: Archive Project No. 1,’ a small-scale, handcrafted production—each copy sewn together by hand—unfolds a visual chronology of the artist’s early career, beginning with her work with Rolling Stone magazine while still a student at the San Francisco Art Institute. A textless document of the trajectory of Leibovitz’s exhibition ‘The Early Years: 1970–1983’ at the LUMA Foundation in Arles, where it debuted in the summer of 2017, the book serves simultaneously as a close-range guide to the show and an immersive tactile experience of the artist’s history, craft, and way of reframing her archive. The book’s Japanese binding allows for the sheer scale of the installation to be translated into print as a continuously flowing narrative that spills over the folds. With eco kraft-paper-covered hardcover panels on the front and back, the publication’s materiality foregrounds the idea of the book as a reference tool for the photographer’s exhibition. The thin coated paper used within allows the smallest details in Leibovitz’s images to crystallize. Running chronologically along a thread-gridded wall that is mirrored in the book’s binding, the artist’s archive is read at varying scales and different densities, unfolding a rhythmic narrative. At times, the page is almost completely full, while at others, only a handful of photographs dot the spread. The content brought together with a parallel materiality was conceived to reflect a carefully considered and orchestrated translation of an experience and archive into print. The exhibition, ‘Annie Leibovitz: The Early Years, 1970–1983: Archive Project No. 1’ was on view at Hauser & Wirth Los Angeles 14 February–14 April 2019.
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Language
English
Publisher
Hauser & Wirth Publishers
Composition
Hardcover
Contributors
Annie Leibovitz
Pages
54 pages
Size
26.4 x 31 cm
ISBN
not for sale
Publication Date
Mar-19
About
Hauser & Wirth Publishers
Across its dedicated bookstores in the U.S. and Europe, Hauser & Wirth Publishers complements and amplifies the artist’s voice by hosting a robust slate of special programs, including talks, panels, readings and learning initiatives that engage a variety of audiences and communities.
Publishing has been a cornerstone of Hauser & Wirth’s activity since the gallery’s founding in 1992. Its publishing activities steadily flourished through partnerships with imprints such as Hatje Cantz, JRP|Ringier, Snoeck, Steidl, Thames & Hudson, and Yale University Press before the establishment of Hauser & Wirth Publishers, with headquarters in New York and Zurich.
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