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Calder Gardens: Drawings and Texts by Jacques Herzog

Sale price$70.00

Estimated shipping date – late October


'Calder Gardens: Drawings and Texts by Jacques Herzog' gives unique insights into the creative process that led to the architectural realization of the Calder Gardens in Philadelphia—a new cultural destination that brings together the visionary architecture of Herzog & de Meuron and the meticulous garden design of Piet Oudolf to celebrate the human spirit through Alexander Calder’s art.

This large-format publication invites readers to look over Jacques Herzog’s shoulder during the development of the project. Numerous sketches and drawings are grouped into ten chapters, from “Vertical Stacks of Fragments” to “The Underground Is Not Innocent,” each accompanied by an equally personal short text. As Herzog writes in the preface, “The drawings express uncertainty and doubt, perhaps also enthusiasm in moments when they made me believe I was reaching a new step in finding out what the architectural and sculptural identity of the project was going to be.” A selection of collages and study models round out this deep-dive into the acclaimed architect’s working method, artistic intelligence, and questioning, creative approach.

Calder Gardens: Drawings and Texts by Jacques Herzog
Calder Gardens: Drawings and Texts by Jacques Herzog Sale price$70.00

Language

English

Publisher

Hauser & Wirth Publishers

Composition

Clothbound

Contributors

Text by Jacques Herzog

Pages

160

Size

30 x 30 cm

ISBN

9783907493106

Publication Date

Oct-25

The Artist

ALEXANDER CALDER

Alexander Calder was born in 1898, the second child of artist parents—his father was a sculptor and his mother a painter. In his mid-twenties, Calder moved to New York City, where he studied at the Art Students League and worked at the ‘National Police Gazette,’ illustrating sporting events and the Ringling Bros. and Barnum & Bailey Circus. Shortly after his move to Paris in 1926, Calder created his ‘Cirque Calder’ (1926–31), a complex and unique body of art. It wasn’t long before his performances of the ‘Cirque’ captured the attention of the Parisian avant-garde.

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