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In the Studio: Lee Lozano

Sale price$21.99

Estimated shipping date – late September


During her short but prolific career, Lee Lozano produced a body of work of striking formal breadth and complexity, ranging from expressionist figurative drawings and paintings to minimalist abstract canvases and, finally, the late conceptual works for which she become well-known. An illuminating text by Lucrezia Calabrò Visconti—co-curator of 'Lee Lozano: Strike', a major survey exhibition that travelled from Turin’s Pinacoteca Agnelli to Paris’s Bourse de Commerce — is accompanied by a meticulous exhibition history that features a wealth of ephemera and archival material.

Remembered for her withdrawal and ultimate rejection of the art world, Lozano produced an oeuvre united by her determination to expose the ruthless division of the world into categories such as gender and to reject capitalism’s demand for constant production. Capturing the unapologetic confidence and striking complexity that defined the artist’s singular practice, 'In the Studio: Lee Lozano' is an excellent resource for both newcomers and longtime admirers of Lozano’s radical work.

In the Studio: Lee Lozano
In the Studio: Lee Lozano Sale price$21.99

Language

English

Publisher

Hauser & Wirth Publishers

Composition

Clothbound

Contributors

Text by Lucrezia Calabrò Visconti

Pages

152

Size

18.5cm x 12.5cm

ISBN

9783907493199

Publication Date

Sept-25

Introducing

In the Studio

A new series from Hauser & Wirth Publishers, which takes readers behind the scenes of an artist at work. Each book focuses on a major figure of twentieth or twenty-first century art, offering an accessible, generously illustrated introduction to their practice.

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The Artist

LEE LOZANO

Lee Lozano’s paintings are admired for their energy, daring physicality and tirelessness in investigating the body and issues of gender. Although lauded by Lucy Lippard in 1995 as the foremost female conceptual artist of her time, Lozano had disengaged herself from the New York art world completely by the early 1970s. She left behind a body of work of striking formal breadth and complexity.

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