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Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947–1962 Default Title

Nothing and Everything: Seven Artists, 1947-1962

Sale price$30.00

‘Nothing and Everything: Seven Artists, 1947–1962’ examines a fascinating period in the history of American art: the synergistic relationship that existed between visual artists and composers living in New York City between the end of World War II and the early 1960s. Louise Bourgeois, John Cage, Morton Feldman, Philip Guston, Franz Kline, Joan Mitchell and David Smith were part of a larger coterie of creative individuals who shared an ethos and naturally sought each other out, visiting one another’s studios, exhibiting together, socializing together and supporting each other’s ideas despite negative press and public indifference.

Nothing and Everything: Seven Artists, 1947–1962 Default Title
Nothing and Everything: Seven Artists, 1947-1962 Sale price$30.00

Language

English

Publisher

Hauser & Wirth Publishers

Composition

Softcover

Contributors

Douglas Dreishpoon (ed.)

Pages

104 pages

Size

26 x 21 cm

ISBN

9783952446171

Publication Date

Feb-17

About

Hauser & Wirth Publishers

Across its dedicated bookstores in the U.S. and Europe, Hauser & Wirth Publishers complements and amplifies the artist’s voice by hosting a robust slate of special programs, including talks, panels, readings and learning initiatives that engage a variety of audiences and communities.

Publishing has been a cornerstone of Hauser & Wirth’s activity since the gallery’s founding in 1992. Its publishing activities steadily flourished through partnerships with imprints such as Hatje Cantz, JRP|Ringier, Snoeck, Steidl, Thames & Hudson, and Yale University Press before the establishment of Hauser & Wirth Publishers, with headquarters in New York and Zurich.

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