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Soto: Vibrations 1950-1960

Sale price$40.00

Published on the occasion of the eponymous exhibition at Hauser & Wirth New York, ‘Soto: Vibrations 1950–1960’ focuses on the first decade of the Soto’s life in Paris: a watershed period of his practice marking the transition from geometric abstraction to optical art and eventually kineticism. The extensively illustrated catalog traces these developments from Soto’s early geometric Composition dynamiques, to the layered Plexiglas work of 1954–58, and finally to his experimentation with wire forms over painted backgrounds in the late 1950s. Exhibition curator Jean-Paul Ameline has contributed an essay that examines Soto’s creative trajectory during these early years, considering the artist’s various influences and contemporaries alongside archival materials from that time.

Soto: Vibrations 1950–1960 Default Title
Soto: Vibrations 1950-1960 Sale price$40.00

Language

English

Publisher

Hauser & Wirth Publishers

Composition

Flexicover

Contributors

Jean-Paul Ameline

Pages

120 pages

Size

22 x 31.7 cm

ISBN

9783906915425

Publication Date

Jul-19

About

Hauser & Wirth Publishers

Across its dedicated bookstores in the U.S. and Europe, Hauser & Wirth Publishers complements and amplifies the artist’s voice by hosting a robust slate of special programs, including talks, panels, readings and learning initiatives that engage a variety of audiences and communities.

Publishing has been a cornerstone of Hauser & Wirth’s activity since the gallery’s founding in 1992. Its publishing activities steadily flourished through partnerships with imprints such as Hatje Cantz, JRP|Ringier, Snoeck, Steidl, Thames & Hudson, and Yale University Press before the establishment of Hauser & Wirth Publishers, with headquarters in New York and Zurich.

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