A forerunner in the field of Romanian Conceptualism, Geta Brătescu’s diverse oeuvre mines themes of identity, gender, and dematerialization. Her more recent international recognition, including her Venice Biennale presentation in 2017, provided a basis for the re-evaluation of her experimental work within the framework of conceptual practices. Brătescu studied both art and literature, and the duality of writing and drawing was central to her thought process and practice. During her lifetime, Brătescu published a number of books documenting her daily studio activities and personal experiences.

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